Choreography is an attitude that reveals the body's will, taking into account the environmental context of the stage. While matters such as expression methodology, overall composition, and structure can be deferred, the foundational aspects of my choreographic work lie in the new perceptions of thematic issues and the reasoning and validity that the body can possess in relation to them.

 

The process of exploring and organizing these new perceptions ultimately becomes evident through technical skills and artistry, as they become intertwined with various situations on stage through the language of dance. Therefore, it is crucial to consider the direction of the process, as it is during this stage that philosophical and aesthetic thinking evolves, leading to important decisions.

 

In the realm of contemporary artistic expression, where comprehensive diversity is embraced, the significance of the body and the expansion of imagination surrounding it have already blurred the boundaries between different genres. Particularly, I have keenly felt the urgent need for various interpretations of the meaning of the stage and fresh approaches to it. As a result, my efforts revolve around the process of rediscovering, defining, concretizing, and visualizing the body's attitude towards these aspects.

 

As I develop a sense of direction in choreography, I have gained a small yet firm conviction. Furthermore, I find that my subconscious desires for new creations, rather than the explicit intention of predicting and creating results, manifest as opaque facets of my attitude towards choreography.

 

For me, the process of conceiving and actualizing a work of art is a journey that naturally flows and engages with a different life.